https://grupoavigase.com/includes/219/915-ver-chicos-y.php Deborah Harkness' All Souls Trilogy , a suspenseful fantasy series about witches, vampires, and daemons. Another excellent series, Magic 2. It has some science fiction component to it. Quite a good example of why there is a category called "speculative fiction". Ringworld by Larry Niven is also a classic, and rightly so. Not every aspect is great, but certainly it plays with a number of very interesting concepts. Another modern classic: J. Rowling's Harry Potter series, and, to me even more enjoyable, Eliezer Yudkowsky's Harry Potter fan fiction Harry Potter and the Methods of Rationality , a rationalist take on the series, as well as a variety of meta-fan fiction.
Daniel Suarez's Daemon two-part novel, a gripping techno-thriller.
Well researched, lots of things that could happend today or in the very near future. The Martian and Artemis by Andy Weir, both great science fiction novels. The Martian is like the problem solving scene in Apollo 13 , but novel length. OK, not exactly.
The protagonist has to solve lots and lots of problems, not just one. It is certainly a work of hard science fiction. Yes, there is one big, and a few minor things that would not work as described but they are there to set up the story, more than anything else. No "OK, I have this really hard problem.
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Oh look, there's a [technobabble]! It has a relatively near-future setting, none of the technologies described are inherently unrealistic, nor are they used in unrealistic ways. Artemis has a somewhat similar feel to it, though the setting is a very different near-future one. Lawrence Watt-Evans: The Ethshar series, parts one through four. When reading the first book, The Misenchanted Sword , I started out a bit bored, but in the end, it was pretty great.
Knowing what to expect, I devoured With a Single Spell and was not disappointed. It seems, generally, that Watt-Evans picks a single idea and then runs with it. In addition to these books being full of excitement, adventure, magic, etc. For instance, With a Single Spell features a wizard who only ever learns how to perform a single spell. Then, whenever he has to solve a problem, he has to figure out a way to make do with this one spell, and whatever non-magic means available to him.
In a way, it is similar to Weir's The Martian , in that it revolves around a protagonist in problem solving mode. Not what you might find in a typical fantasy books: a powerful wizard facing problems, for each of which a new spell might be introduced, whatever necessary to solve the problem. This is about wizard with very little at his disposal, who has to rely on his ingenuity and creative problem solving skills. The magic system in the Ethshar series is very much Hard Magic, i. Akquisitionsfinanzierung und Dealstrukturierung Download. PDF betrifft. Band 2 ePub. Abhandlungen zur Sprache und Literatur Download.
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He is the co-founder of digitalrights. Follow Asteris Masouras on Twitter: asteris. Once a symbol of philosophy, this nocturnal, observant and silently-attacking bird of prey could now represent the eerie power of surveillance. Working together as co-directors, they have established an open network which always welcomes collaboration with new artists from the most diverse disciplines.
Their productions are arsenals of 20th and 21st-century history which snatch fragments of memory and assess them with regard to their added value. Everywhere you look, there are images — on the wall, in your hand. The visual is in motion. Those who apply such phrases divide the world in two — the images on one side, and critical thinkers on the other. When it comes to images, though, there is no such thing as critical innocence. Those who deny it are barring the way to visual maturity.
Because those who have attained visual maturity are able to think up images different from those in power. Can light be critically and subversively used to illuminate? What powers of light are not in the service of the surveillance society, but actually promote maturity?
What do the experimental fields look like which are working toward a vigilant, new type of seeing beyond the transparency industry? Dietmar Dath is an author, translator and journalist.
He has written 15 novels, as well as numerous books and essays on scientific, aesthetic and political issues. Swantje Karich is an art historian, art critic and editor with the Frankfurt Allgemeine Zeitung. Follow Karich on Twitter: SwantjeKarich. It is time for new openings Close to pm 3. This statement is the basis of a photo project by Mario Sixtus und Nadia Zaboura, titled enscape which explores the delta between identity and objectivity by means of isolation, hide and seek, and synthesis.
They offer a new perspective on the topical question as to where the individual fits in a world, fashioned for the masses and based on systems and structures. The photos taken during extended trips highlight the subjects of concealment, isolation and freedom. Yet in contrast to classical robinsonade, the isolated individuals in these pictures are not stranded on some deserted island, but live in the post-industrial, technologised, consumer-oriented world, with which we are all familiar.
And they all express a decoupling from this civilised piece of humanity. An act of de-networking within the network, slumber in public space. Mario Sixtus is a journalist and author. He writes for various magazines and newspapers on current developments in the areas of the Internet, network culture and network politics. Lobo with Sascha Lobo, which was shown on 3sat.
He founded the photo project enscape. Nadia Zaboura is a communication studies scholar, non-fiction writer and digital media consultant. Becoming sleepers Close to pm 3. Deceptive reflections provide most of the material in its portrayal of the financial crisis. In the translucent exteriors of banks, limousines and revolving doors, what one mostly sees is the mirrored reflection of the outside world — what lies behind remains hidden.
The focus is no longer on real people, but rather on their impact. Society is in a state of delusion, and the narrative continues in a mode of delirium. In the end, sleep conjures the moment when we wake up to a potentially different world. In addition to writing numerous pieces on cinema, he is the founder and co-editor of the film magazine Revolver. Discussion with Christoph Bieber political studies scholar , Micah L. Numerous projects Open Data, vroniplag, lobbyplag, etc. What these projects have in common is that they operate decentralised, make collective and loosely-related working contexts possible, digitally process large amounts of data and present them in an understandable way, and serve as a necessary corrective in shadowy political processes.
It is high time to take an international, comparative perspective and investigate the status of discourse on the big story of transparency. His main areas of research are political communication and new media, Internet and democracy and comparative political studies. He is a founding board member of pol-di. V, the organisation responsible for operating Politik-digital. Micah L. Sifry is an American network expert and co-founder of the Personal Democracy Forum, which examines the impact of technical developments on political processes.
He works as an editor for the award-winning blog techPresident and teaches at the Harvard Kennedy Law School. Inevitably rummaging about for meaning, we are confronted with questions regarding the relationship between nature and technology, order and chaos, light and enlightenment, obscuration and imagination. We come to realise that it is not or no longer? And that there could be spaces of freedom which lie hidden within or between them. Steffen Lars Popp is a freelance theatre director, author and dramaturge. Due to his various roles — and to make a little harder for data collectors to follow him — he uses a different name for each of his occupational fields: Steffen directs plays, Lars writes and Steffen Lars is responsible for the theoretical side.
Axel Wandtke is an actor and stage director. Axel Wandtke has acted in and directed numerous theatre productions. He frequently plays roles in films and television, and has achieved success as a speaker in diverse radio play productions.
Confronted with an inscrutable global web of economic and political interests, citizens are demanding transparency from their governments and companies. Stalder examines the two-sided meaning of transparency, starting with its inception in political and economic discourse of the 19th and 20th century up to its most recent expression under modern-day conditions, and calls for a new form of transparency. An appeal for a horizontally structured form of transparency!
His focus of research is on the interplay between society, culture and technologies, and in particular, the new forms of cultural production. They will try to answer the central questions of the conference: What does freedom in the age of networks and surveillance mean? Is it basically a discourse of defence or perhaps also one of conquest? What would transparency and darkness look like in a healthy democracy? Christoph Kappes, former CEO of Pixelpark and current managing director of fructus GmbH, has been involved with the financial and technical-conceptual aspects of digitalisation since For the past several years, he has written a number of articles on social issues for the FAZ and Merkur.
Follow Kappes on Twitter: ChristophKappes. Robert Pfaller is an Austrian philosopher. It probes the hidden potential of this dark side with respect to the requirements of language in the digital system. Voice recognition, voice reproduction, translation technologies and automatic writing programmes are on the rise and enable machines to encode language and reproduce it as desired.
Once computers are capable of controlling language, we ourselves become transparent and controllable to a certain extent. Might there be a subversive power concealed within the dark side of language which could counter programmed mind control? But despite the increasing mass of data, our own bodies remain foreign to us.